The Unbearable Confidence of the Racialized Apparatus of Disability

“First and foremost, I aim to issue a caution . . . When addressing and identifying forms of epistemic oppression one needs to endeavor not to perpetuate epistemic oppression.” – Kristie Dotson (2012, 24) Several months ago, the moderator of the Teaching Disability Studies Facebook group, a group that had operated for several years, announced […]

Philosophy of Disability: Present and Future, No. 1

In my reply to commentators on Foucault and Feminist Philosophy of Disability at the Pacific APA (previously posted on BIOPOLITICAL PHILOSOPHY here), I wanted to accomplish a number of things. In addition to offering an exegesis of Foucault and Feminist Philosophy of Disability and responses to critical remarks about the book that the various commentators […]

Neoliberalism, Bioethics, and the Apparatus of Disability in a German Context

In the fifth chapter of Foucault and the Government of Disability, I assert that philosophers and theorists of disability should recognize that the subfield of bioethics is a neoliberal technology of government, that is, a concerted biopolitical enterprise whose aim is normalization (and hence control) of populations. Given the scope of my critique of bioethics […]

Writing Foucault and Feminist Philosophy of Disability

  I enjoyed reading Sarah Tyson’s recent guest post about why she wrote her new book, Where Are the Women? Why Expanding the Archive Makes Philosophy Better. Since, in preparation for the Pacific APA, I have been thinking about my reasons for writing Foucault and Feminist Philosophy of Disability, and, furthermore, because I think that […]

Between Bird Box and A Quiet Place: Blockbuster Depictions of Disability

Recently, I watched Bird Box (2018), a new Netflix horror film starring Sandra Bullock, Trevante Rhodes, and John Malkovich. Since its release on December 21, the film has made a huge impact on social media and is the subject of hundreds of viral memes. While Netflix does not usually release viewership numbers, they say 45 million […]